Yeh Saali Aashiqui Movie Review: New chapter in the story of love, deception, and revenge
Yeh Saali Aashiqui Movie Review: New chapter in the story of love, deception, and revenge
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When people fall in love with betrayal and infidelity, the end result of that love can be fatal. There are many stories in Bollywood on the concept of revenge by hurting love, which has also been hit. Director Chirag Ruparel also weaves the story of love, deception, and revenge in 'Yeh Saali Aashiqui' in a thrilling style. He has woven a love story for Vardhan Puri and Shivalika Oberoi as a debutant duo chose the themes Dark, Brutal and Intense.

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Story: Sahil Mehra (Vardhan Puri) and Meeti (Shivalika Oberoi) study together in hotel management in Shimla. At first sight, Sahil gives his heart to Meeti, Meeti also extends love rings with him. Amil Ghar's orphan Sahil is willing to go to any extent in the love of Miti, but then there are some such incidents that Sahil and Mithi's life changes completely. What were the accidents that took the innocence of these love birds and forced them to go on a path from which it is very difficult to return, you will have to watch the film.

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Review: Director Chirag Ruparel starts the story in a normal style, but after a few scenes the viewer realizes that there are many more layers inside the story. By midnight, the story has taken the form of a thriller. In the film, the director has kept many turns and twists, which surprises you, but in many places, he has used it for his convenience. There are many questions, whose answers are not available till the end. It could have been a memorable thriller had the director executed it firmly. The production value of the film also seems mild in many scenes. There are also some misogynist dialogues, which spell you out. Climax sounds very dramatic. The film has dialogue, music, cinematography, editing averages. The song 'Eccentric' has become interesting in Hitesh Modak's music.

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Vardhan's back will be that he chose such a layered role in his very first film. He has tried hard to give credibility to his role, but he will have to work very hard to shoulder the entire film. He has been effective in a negative way. In the scene feeding the pigeons, he is reminded of his grandfather Amrish Puri. Shivalika Oberoi seems average in the opening scenes, but she embellishes as the story progresses. Comedy was expected from Johnny Lever's son Jessie Lever, who did not get his share. Ruslan Mumtaz is fine.

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