One of the specialties of all the filmmakers trained by the Bhatt camp is that they bring such colors of relationships in their stories, which usually the ordinary film director cannot even imagine. Apart from the iridescent colors of life, they make dark colors vivid. They decorate the beautiful scenes on the silver screen and try to harmonize the tone in the story. The story of Mohit Suri's new film Malang is the story of four Goan characters who meet at a gap of five years. A Christmas night brings a storm to their lives. With this, the difference between what is right and what is wrong disappears. Every character gets the same carelessness from everyone else, Malang. One such malang is Advaita. History is not very good for him. And something similar is happening with Sara. With this, both want to get lost in Goa away from worldliness. Furthermore, Advaita returns as a challenge to Inspector Agashe. The feelings of Inspector Michael and Teresa have changed. He is also unable to reconcile the story of Michael and Agashe that a girl named Jessie falls to Michael. With this, the eyes of Agashe and Advaita meet. The same route is two to four. And, the relationship then begins to be wired.

As a director Mohit weaves the film Malang Ka Tana in this same Goa and is also able to properly portray the Goa his characters. In terms of the cast, Malang is Aditya Roy Kapur's film. It would have been a risky decision to introduce a chocolate hero in Hindi cinema in a deal like Rambo. But, both Mohit and Aditya have mixed up everything. Disha Patani is also in a different color this time from her previous films. Not only does that beautiful part decorate the screen in a powerful way, in the same act, she is four steps ahead of her previous films. And, Anil Kapoor. This mangrove of Hindi cinema is Munna Manmoji. With this, it is difficult to tie this artist to the borders if he has a character in mind. The rest of the artists have also succeeded in keeping their tricks on the board according to their respective mines. Every pawn is heavy on the ranks of its camp. In this game of checkmate, Mohit has also done all the other stories in the entire chessboard which seems to try to keep the audience hooked till the end.

The film's action tells the film's stand from the beginning. Mohit's technical team is also no less than a malang. Vikas Sivaraman's cinematography makes the film panoramic. The same background music of Raju Singh gives it a better breath. Devendra Murdeshwar's scissors definitely looks dull somewhere. The editing could have been better of the film. The film's weakest link is its music. Along with this, Mithoon, Ankit Tiwari, Aseem Azhar, Ved Sharma and all other musicians have tried to give the film different music according to its mood, but no one pattern of the film can be decided in terms of music. is. In the case of the same romantic thriller films, there has been less work in Hindi cinema, in this case, Mohit Suri's film Malang has succeeded in entertaining the audience. Like Aashiqui 2, the film Cult may not be able to get the status of the film but it is definitely a good time pass on weekends. 

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