The iconic Bollywood film, Mughal-e-Azam, released in 1960, continues to be a topic of discussion even after six decades. The film, which was made on a budget of Rs 1.5 crore, went on to earn over Rs 10 crore at the box office, a record-breaking feat at the time. Despite its massive success, the film's journey was not without its challenges.
The film's casting was a significant aspect of its production. Initially, DK Sapru, Chandr Mohan, and Nargis were cast in the lead roles. However, due to various reasons, including the partition of India in 1947 and Chandr Mohan's untimely death in 1949, the cast underwent significant changes. Prithviraj Kapoor, Dilip Kumar, and Madhubala eventually became the lead actors in the film.
Director K Asif had always wanted Dilip Kumar to play the role of Salim, but Nargis, who was initially cast as Anarkali, refused to work with him due to personal differences. Madhubala was later cast in her place. Prithviraj Kapoor, who played the role of Akbar, was not the first choice for the role either. Chandr Mohan's death led to his casting in the film.
The film's production began in 1944, but it took several years to complete. The partition of India in 1947 led to financial constraints, and the film's producer, Shiraz Ali Hakim, migrated to Pakistan. Director K Asif was left to manage the finances alone. Despite these challenges, the film was finally released in 1960 and went on to become a massive success.
Mughal-e-Azam's success can be attributed to its iconic performances, memorable dialogues, and grand sets. The film's music, composed by Naushad, is still widely popular today. The film's success also marked a significant milestone in the careers of its lead actors, Prithviraj Kapoor, Dilip Kumar, and Madhubala.
In conclusion, Mughal-e-Azam's journey from its inception to its release is a testament to the perseverance and dedication of its cast and crew. Despite facing numerous challenges, the film went on to become a classic in Indian cinema, and its legacy continues to inspire filmmakers and audiences alike.
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