Comebacks in the Indian film industry have always been met with a mixture of expectation and scepticism. After a break, directors, actors, and other professionals in the film industry frequently find themselves stepping back into the spotlight. One such filmmaker, Kundan Shah, returned to the scene in 2002, barely a week after his hit movie "Kya Kehna" came out. Sadly, the response to his return with "Hum To Mohabbat Karenge" was not positive at the box office, with a lot of people criticising it. This article explores the narratives of these two films and the divergent results they produced.

Prior to talking about the demise of "Hum To Mohabbat Karenge," it's critical to recognise the movie that was Kundan Shah's first big-screen comeback. The groundbreaking movie "Kya Kehna," which debuted in May 2000, received positive reviews from critics and was a commercial hit. The film, which starred Preity Zinta in the lead role, addressed the delicate subject of unwed pregnancy and the taboos surrounding it. The film sparked important discussions about social issues in addition to striking a chord with the viewing public. For his storytelling and skillful handling of a sensitive subject, Kundan Shah received high praise.

Preity Zinta's career took a significant turn when she starred in the movie, which made her a promising actress in Bollywood. The critical acclaim Shah received for his directing and storytelling abilities in "Kya Kehna" marked his comeback, and it elevated hopes for his next endeavours.

"Kya Kehna" garnered critical praise in addition to being a box office success. Due to the profound message it delivered and its emotional depth, Kundan Shah's return to the industry was greatly anticipated.

Within a week of "Kya Kehna's" theatrical debut, Kundan Shah returned to helm the film "Hum To Mohabbat Karenge," which he directed following the film's success. Shakti Kapoor, Bobby Deol, and Karisma Kapoor were among the well-known actors in the May 2000 release. With a skilled cast and an experienced director, it looked like a winning formula on paper. The movie, though, fell short of what "Kya Kehna" had promised.

"Hum To Mohabbat Karenge" featured every aspect of a conventional Bollywood romance, along with a touch of humour and poignancy. The story followed a wealthy heiress (Karisma Kapoor) as she flees her family to avoid an arranged marriage and meets Bobby Deol's charming mechanic. Naturally, a romantic relationship develops, and the movie delves into the obstacles they encounter on their path to become one.

Even with the predictable storyline, viewers were curious to see how Kundan Shah would bring his own style to this love story. Expectations were high because of his track record as a director who can tell compelling stories while tackling social issues.

"Hum To Mohabbat Karenge" received a very different rating from critics than "Kya Kehna." The film was criticised for following cliched Bollywood stereotypes and for lacking depth and originality. The much-anticipated return of Kundan Shah was now viewed as a letdown. The story of the movie received flak for being trite and uninspired, devoid of the complexity and social significance that characterised his past work.

The disillusionment surrounding "Hum To Mohabbat Karenge" was also evident in the box office results. The movie did not perform as well as anticipated commercially and struggled to match the success of "Kya Kehna". The film did not perform well at the box office, partly due to the dull screenplay and negative comparisons to Kundan Shah's earlier work.

"Hum To Mohabbat Karenge" symbolised a squandered chance for Kundan Shah to significantly influence the world with his return. The film did not succeed in winning over the hearts and minds of the audience, even with a strong cast and a director renowned for his unique storytelling style. The film's failure was attributed to its lack of "Kya Kehna's" signature compelling storyline and meaningful message.

Comebacks in the movie business can be both beneficial and detrimental. Following "Kya Kehna," which was a huge hit, Kundan Shah had to live up to the high standards set for his comeback to the film industry. Regretfully, "Hum To Mohabbat Karenge" was not a box office hit or met with critical acclaim. The movie, which sought to tell a traditional love story, did not have the same impact on viewers or reviewers as "Kya Kehna" did.

The journey of Kundan Shah from "Kya Kehna" to "Hum To Mohabbat Karenge" serves as a reminder of how unpredictable the movie business can be. It shows that audience expectations can be a difficult burden to bear and that even seasoned directors can make mistakes when making their comeback. Although "Kya Kehna" is considered one of Kundan Shah's best films, "Hum To Mohabbat Karenge" is still viewed as a critical and financial failure in his filmography.

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