'Pari' starring Anushka Sharma released on this 'Holi' that is on 2nd of March,2018 as the movie's photos and trailers gone viral before its release audience got super excited to watch the movie but unfortunately as the movie hit the theaters it didn't collect too much of applauding from the audience. 

So, today we are just going to aware you about the most horror and scared part of the movie. Let us start 
Rukhsana (Anushka Sharma) who doesn’t know this world or at least doesn’t know it in the way we do. Heavy chains tied to her ankle, she lives in a small hut in a forest. It’s unclear what she eats to survive. Her only companions are a few stray dogs. With the death of her mother, her caregiver, and her protector, Rukhsana is left alone to fend for herself. To not know your place in this world, to be a discontent wanderer, is a terrifying thought. The director of Pari, Prosit Roy, takes that idea a step further: He drops it in a horror film.

Rukhsana steps out in the outside world when her mother is killed in a road accident. The man in the car, Arnab (Parambrata Chatterjee), feels guilty, and he allows Rukhsana to stay in his house when her life is in danger. Arnab, on the surface, is obviously very different from her. He has a family, a job, and is about to get engaged. But the film asks us to scratch the surface and recognize the similarities. Like Rukhsana, he has never had a romantic partner. Like her, he is shy. Their methods of expressing diffidence are similar, too. Growing up, Arnab hid under the bed whenever guests came to his house. As an adult, Rukhsana does the same.

But a crucial difference sets the two apart. Arnab is human; Rukhsana is a demon or more accurately, the child of a demon. So Pari is two different films rolled into one. It is both a confluence of extremes the co-existence of light and gloom, civilization and barbarism, life and death and rumination on finding similarities in differences, a plea for inclusivity. But more importantly, Pari has to find its story and tone, essentially find itself, within the paradigm of a horror film.

And if you like horror as a genre, and prefer a genuine theme over the sheer succession of scary sequences, you will find this one fascinating as it isn’t bound by the diktats of commercial cinema.